Hassan Raja Rao is no more.
Usually readers wanted to know how did Kannada newspapers cover his demise. All the newspapers have treated this story as a usual obit but Vijay Karnataka.
VK has devoted one full page featuring his childhood, education, family matters and his contribution to literature. It is a deserving tribute and gesture to a great writer by "Samastha Kannadigara Hemme"
Other Kannada dailies including English newspapers have utterly failed in this regard.
Well done Vijay Karnataka!
Sunday, July 09, 2006
Sunday, July 02, 2006
What happened to Churumuri?
Churumuri.wordpress.com has been surprisingly silent about Vijay Karnataka and Vijay Times after they were acquired by the Times of India group. Before the takeover the Churumuri posted atleast one story a day.
Some of the stories kicked of heated debates among Kannadigas. One story, even attracted as many as 325 comments from the bloggers. All of a sudden, Churumuri mum on the post-aquisition developments.
The grapevine has it that the editor of Churumuri is likely to join Vijay Times as its editor and hence no story.
In fact that's the real churumuri to talk about.
Some of the stories kicked of heated debates among Kannadigas. One story, even attracted as many as 325 comments from the bloggers. All of a sudden, Churumuri mum on the post-aquisition developments.
The grapevine has it that the editor of Churumuri is likely to join Vijay Times as its editor and hence no story.
In fact that's the real churumuri to talk about.
Wednesday, June 28, 2006
Why do you play it up?
Kannada Prabha has started a new trend.
Play up the story!
No matter how important the story is, it plays up without blinking eyelids. Kannada Prabha has to fill up the large space due to paucity of advertisements. That's the reason for playing up, it appears. But if you go by the merit of the story, play up is, most of the time, not necessary. When two or three columns do, why do spread it for 7 or 8?
Kannada Prabha carried the story in 7 columns with screaming headline when a senior Congress leader C.K.Jaffer Sharief attended the BSP public function addressed by Mayavati.
Do you agree this kind of journalism?
Play up the story!
No matter how important the story is, it plays up without blinking eyelids. Kannada Prabha has to fill up the large space due to paucity of advertisements. That's the reason for playing up, it appears. But if you go by the merit of the story, play up is, most of the time, not necessary. When two or three columns do, why do spread it for 7 or 8?
Kannada Prabha carried the story in 7 columns with screaming headline when a senior Congress leader C.K.Jaffer Sharief attended the BSP public function addressed by Mayavati.
Do you agree this kind of journalism?
It's the turn of Mid-Day
Bangalore has a one more daily - Mid Day.
It's always pleasure reading more and more newspapers.
Mid Day has a significant circulation in Mumbai. If two issues are any indications, the paper hardly evoke interest in the minds of Bangaloreans. The paper is crammed with photoes of Models, fashion designers and people from high society. It has very less of ethos of the city. It is the bane of English Journalism. Better look the content before putting the big foot out.
It's always pleasure reading more and more newspapers.
Mid Day has a significant circulation in Mumbai. If two issues are any indications, the paper hardly evoke interest in the minds of Bangaloreans. The paper is crammed with photoes of Models, fashion designers and people from high society. It has very less of ethos of the city. It is the bane of English Journalism. Better look the content before putting the big foot out.
Tuesday, June 27, 2006
Rumour, rumour everywhere
Rumour mills work over time. This is true in the media circle. The latest rumour around is that Printers (Mysore) Limited which publishes Prajavani, Deccan Herald, Sudha and Mayura is for sale. And the buyer is none other than media gaint Hindustan Times.
The Hindustan Times (HT) top honchos have already conducted three rounds of meeting with owners of PV and DH. They have also visited their Hubli and Mysore editions.
If it is true, another media house is also going in the way of Vijayananda Printers Limited (VPL) which publishes Vijay Karnataka, Vijay Times and Usha Kiran. Recently VPL was acquired by Times of India group.
The Hindustan Times (HT) top honchos have already conducted three rounds of meeting with owners of PV and DH. They have also visited their Hubli and Mysore editions.
If it is true, another media house is also going in the way of Vijayananda Printers Limited (VPL) which publishes Vijay Karnataka, Vijay Times and Usha Kiran. Recently VPL was acquired by Times of India group.
Lost Innocence
The media have a right and a duty to investigate into and comment on the integrity and efficiency of police investigation of crime. They have no right to usurp the functions of the court and pronounce on the suspect's guilt. That is contempt of court and a violation of his right to a free trial; a competing, but overriding, right and public interest says A.G.Noorani
For full article read :
http://www.hindustantimes.com/news/181_1729104,00120001.htm
For full article read :
http://www.hindustantimes.com/news/181_1729104,00120001.htm
It's less than four thousands only!!

The circulation of Lankesh Patrike, edited by Gowri Lankesh is less than four thousand copies only! The print order,which is in possession of Patrakarta, dated 5 July 2006 is 3750 copies!
Recently, while talking to her, Gowri Lankesh claimed the circulation has reached to 40,000 copies. When 'Patrakarta' investigated with the Rajhans Enterprises where the paper is printed,confirmed that the circulation figure for the latest issue is 3750 only.
This is the print order, please mind it. It does not mean that all printed copies will be sold out. She gets back half of them unsold every week. Next week, the figure may drop further.
Really, its near death of a tabloid!!
Wednesday, June 14, 2006
Wrong name, this time editor's!
Lankesh Patrike, edited by Gowri Lankesh, a senior journalist who worked for couple of upcountry newspapers published the name of the Editor of a daily newspaper wrong.
It is not uncommon newspapers publish the name of the persons incorrectly. But Lankesh Patrike published Venkatanarayana, editor of Usha Kiran, a Kannada daily as Venkataramana Bhat!!
What a nonsense!!
It is not uncommon newspapers publish the name of the persons incorrectly. But Lankesh Patrike published Venkatanarayana, editor of Usha Kiran, a Kannada daily as Venkataramana Bhat!!
What a nonsense!!
Saturday, April 22, 2006
Lack of creativity

On 21 April, three prominent Kannada dailies - Prajavani, Kannada Prabha and Udayavani- carried the same headline for the lead story. The word - hasiru nishaane is common in all the headlines. When some bottlenecks are cleared the Kannada dailies make it a habit to use hackneyed words in the headline.Why this lack of creativity?
Pratap, not again
Pratap, a brilliant columnist of Vijay Karnataka did it yet again. He is known for using question marks indiscriminately in his column - Bettale Jagattu.
On 22 April, he profusely used 26 question marks spreading all over the column.
Pratap, we need answers, not questions.We are sick of it.Better change your style.
On 22 April, he profusely used 26 question marks spreading all over the column.
Pratap, we need answers, not questions.We are sick of it.Better change your style.
Senseless on Sensex

Indian media, strangely , suffering from sensex mania. The day will not pass without its mention. Whether it goes up or down it's a page one story.
Some papers have dedicateda fixed space in the front page as if its a national news worthy to be printed there daily.
On 20 April, Hindustan Times carried page one story with the above figures prominently displayed at the top.
Sensex indicates the mood of the stock market. That's all. It doesnot depict the national economic scenario or state of our economy. In our country only 1.5 percent of people invest in the share market. So, it cannot be the parameter to gauge the mood of the economy.
Yet our newspapers report it. Hundreds of people die or suffer due to malnutrition, debt, dowry and other social evils. But such incidents hardly find space in the so called national dailies and regional dailies.
Why? Is media becoming too elitist or pro rich? It's a serious issue and media has to address to it urgently.
Tuesday, April 18, 2006
New look, how new it is?

The Pioneer is known for its design. It is neetly produced newspaper. When Vinod Mehta redesigned this paper a one and half decade ago it was much talked about media discussion. In fact it was a visual treat. Vinod has a keen eye for design and set new design standards. In Indian media context he is considered guru of design. Recently he redesigned Outlook, the magazine he has been editing little over a decade.
While announcing the redesign the present editor Chandan Mitra says : "In fact, The Pioneer was the first national daily to
use colour pictures on the front page. It was also the first to have a colour masthead, an idea recently copied by a venerable publication from the South, which replicated even our colour scheme!"
Chandan has employed Subrata Bhowmick, a designer currently teaching at MICA, Ahmedabad, to undertake his first foray into newspaper designing. Basically he worked for advertising agencies.
He has changed the masthead, logo, folio and other elements. When you effect a change it needs sometime to adjust to new look. Reader has to train his/her eyes. He has to familiarise the course of the reading which he has been doing for many years.
The Pioneer redesign has succeeded in evoking little interest in its new look. It has a very few elements of design worthy to mention and awfully lacks variety. All the elements are strangely vertical which strain the eyeball to roll from top to bottom. Hitherto The Pioneer's editorial and op-ed pages were the main attraction. Unfortunately, the new design has marred them.
Chandan, you better take a second look!
Readers are not fools

Parvatamma Rajkumar is writing a column for Kannada Prabha. In fact she is not writing.. somebody (Every one knows who is that somebody. He is Jogi) is writing on her behalf. She narrates the story and "somebody" makes the notes. Likewise her column has been appearing in Kannada Prabha for the last eight months. It is known to a common reader.
The editor of Kannada Prabha today (18 April, 2006) carried a page one announcement captioned -Maadari Mahile. He says despite the grief after the demise of Dr.Rajkumar and violence which marred his antima yaatra, she didn't say no to her column. She was not ready to disappoint Kannada Prabha readers and submitted her column.
If you read her column it was the same old stuff she has been telling to all the newspapers and TV channels from the day one of the demise of Dr.Raj.
If she wants to narrate her story thats fine. Instead of describing Parvatamma as Maadari Mahile, appreciate your reporter who could meet her and take down the notes at the hour of grief.
Then we call you a Maadari Sampaadaka
Monday, April 17, 2006
Well Done, Mr.D.P.Satish

D.P.Satish is an Assistant Editor in CNN-Ibn and based in Delhi. Before joining this new TV channel, he worked for E TV and Vijay Karnataka. Satish is a young and bright journalist. He calls a spade a spade which devotely earned him many enimies. Nevertheless he doesn't let go this habit.
Alright. When Dr.Rajakumar died, Satish wrote an extremely fine first hand account on Kannada matinee idol - Rajakumar:We never wanted him to die. (To read this article you can visit http://www.ibnlive.com/blogs/author/237/dpsatish.html)
This article has been rated 7.9 out of 448 votes cast. Interestingly, 349 (as on 17 April) readers passed their comments for this article which is rare for any blog write up.
Satish, keep it up.
Mr.Pratap, Are you not sure?
I like Pratap Simha as a columnist. For the last five years he has been writing a weekly column in Vijay Karnataka, the No.1 Kannada daily. Pratap has a huge following and on saturday whose column appears, thousands of readers anxiously waiting for it.
I think he is one of the youngest columnists in the country. He writes very boldly on the subjects he deals with. He has a sharp mind and presents his ideas very well.
Fine.Pratap, I can't understand why do you use so many question marks in your columns? One can find atleast two dozens of question marks in any of your column. Sometimes the whole paragraph or two-three paragraphs are crammed with question marks.
Why???? Are you not sure about what you are writing? Or why do you leave your readers in question always?
I think he is one of the youngest columnists in the country. He writes very boldly on the subjects he deals with. He has a sharp mind and presents his ideas very well.
Fine.Pratap, I can't understand why do you use so many question marks in your columns? One can find atleast two dozens of question marks in any of your column. Sometimes the whole paragraph or two-three paragraphs are crammed with question marks.
Why???? Are you not sure about what you are writing? Or why do you leave your readers in question always?
This is ridiculous, Mr.Dandavati

Prajavani journo Padmaraj Dandavati was recently in Paris for three days. He has written a feature for his Sunday Magazine on Paris (See Saaptaahika Puravani, 16 August 2006) comparing it with Bangalore. It's sheer ridiculous write up. Even a cub reporter could write a better story.First of all one should not venture into this type of feature as three days are too short a period to understand any city.
He writes : Parisnalli yaaro balagai chaalakarilla. ellaa vaahanagaloo edagai chalaneyave. Londonnaalli maatra balagai chaalaneya vaahanagalive....
Anybody can say this is Dandavati's first foreign tour or first Europe tour. Alas he hasn't visited America. Kannadigas particularly readers of Prajavani are fortunate.
Dandavati continues : Bhoomiya mele metro railannu odisabeku andare bhooswaadheenada samasye emba kaaranakkaagiyo athavaa haleya parisna anda chendakke dhakke barutadeyendo suranga maargadalli railu oduttade.....
I think, Dandavati, must have seen the metro rail first time in his life. He doesn't understand the concept of metro rail. That's why he writes childishly.In Paris metro railu bhoomiya meloo oduttade Dandavati avare..
He further writes : Illina jan swantada car ittukondiddaare. aadare chikka putta nowkari maaduvavaru pugo scooter odisuttaare. adu race bike haage mai dubbavaagi iruttade. savaara haagoo himbadi savaararibbaroo helmet dharisuttaare. scooterannu zam enduvegavaagi odisuttaare...
His feature goes like a school student's essay.
Dandavati ends his article : Paris raste badiyalli, vimaana nildaanadalli, eiffel tower nalli kaddu muchchi nadeyuva kelasagalu raajaaroshavaagi nadeyuttave. obbarannobbaru tabbi hididukondu nintaredare avarige pakkada jagattina pariveye iruvudilla.
Wah.. wah... Kyaa baath hai.. now you can come to a conclusion that this was his first foreign tour. How can Prajavani publish such stories? Does it has dearth of stories? or can't it reject stories written by its senior reporter? Next time when you send a reporter abroad send a right person. who doesn't carried away by its roads and road-side romeos.
Last year R.P.Jagadeesh, Associate Editor, Prajavani was in Paris. He visited a dance bar called - Moulin Rouge. He had written a nasty piece on it in Saptaahika Puravani.
Prajavani is known for its tradition. Its journos trying hard to continueing it.
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